|
|
|
|
|
|
|
|
|
|
|
|
All
the weavings on this page are a part of a series I was working on entitled "Psychological
States of Womanhood", using the female figure, color, texture, as my vehicles.
The same yarns are used for all the weavings in this series. Someday, I will
have it finished. |
|
|
 |
|
|
Family
Tree Form |
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Home |
|
|
|
|
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Picture
Page |
|
|
|
|
|
|
|
|
Weaving |
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For
a women to grow beyond herself, she must face the mental image she has of herself
and resolve who she thought or thinks she is based on these past mental pictures.
This can be a very rewarding or painful experience but a very necessary experience. |
|
|
|
|
|
|
|
|
|
|
|
The
Awakening is the stage I am currently in. I have gone to pieces, faced myself,
sorted out the reality of myself and have now found this overwhelming sense
of excitement at who I am and all that I still can become. The work is in progress
as I am. |
|
|
|
|
|
|
Frame
Weavings - Believe it or not, both of these weavings are the same exact design
- the Going to Pieces 1 was the first and when it was removed from the loom,
it took on a form of it's own. So I learned from experience what to do help
maintain the shape from loom to wall - of course, you can see that I still had
to stretch the 2nd Going to pieces-so I am still learning. GOING TO PIECES depicts
the state of womanhood, when all the roles you have assumed come into conflict
and your SELF is fighting for existence. My art always has the solution within
the design and the solution to this stage is at the top of the weaving - To
Look Into Yourself - YOU are always there. |
|
|
|
|
|
|
QUEST
FOR WOMAN-HOOD: This piece reflects the past (dark figure), the "dream"
state (the white figure) and the reality ( a composite of what we bring from
the past and our dreams to what we truly become.) |
|
|
|
|
|
|
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |